John Williams
(born February 8, 1932) is an American composer and conductor. In a career that spans six decades, Williams has composed many of the most famous film scores in history, including those for Jaws, Star Wars, Superman, E.T. the Extra-Terrestrial, Raiders of the Lost Ark and Schindler's List. In addition, he has composed theme music for four Olympic Games, numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Awards, and his 45 nominations to date makes him the second-most nominated individual after Walt Disney. He was a recipient of the Kennedy Center Honors in 2004.
John Williams was born in Floral Park, New York. In 1948, he moved with his family to Los Angeles, where he attended North Hollywood High School. He later attended the University of California, Los Angeles and Los Angeles City College, and studied privately with composer Mario Castelnuovo-Tedesco. In 1952, Williams was drafted into the United States Air Force, where he conducted and arranged music for the Air Force Band as part of his duties.
After his service ended in 1954, Williams returned to New York City and entered Juilliard School, where he studied piano with Rosina Lhévinne. During this time he also worked as a jazz pianist at New York's many studios and clubs. He had played with composer Henry Mancini, and performed on the recording of the Peter Gunn theme. He was known as "Johnny" Williams in the early 1960s, and served as arranger and bandleader on a series of popular albums with singer Frankie Laine.
Williams was married to actress Barbara Ruick from 1956 until her death on March 3, 1974. They had three children together. He married for a second time on June 9, 1980 to his current wife, Samantha Winslow.
After his studies at Juilliard, Williams returned to Los Angeles and began working as an orchestrator in film studios. Among others, he had worked with composers Franz Waxman, Bernard Herrmann and Alfred Newman. He was also a studio pianist, performing in scores by composers such as Jerry Goldsmith and Elmer Bernstein. Williams began to compose scores for television series in the late 1950s, eventually leading to Lost in Space and The Time Tunnel.
Williams conducting the London Symphony Orchestra during the recording of the score for Star Wars Episode I: The Phantom Menace.
Williams conducting the London Symphony Orchestra during the recording of the score for Star Wars Episode I: The Phantom Menace.
Williams's first major film composition was for the B-movie Daddy-O in 1958, and his first screen credit came two years later in Because They're Young. He soon gained notice in Hollywood for his versatility in composing jazz, piano and symphonic music. He received his first Academy Award nomination for his score to the 1967 film Valley of the Dolls, and was nominated again in 1969 for Goodbye, Mr. Chips. He won his first Academy Award for his adapted score to the 1971 film Fiddler on the Roof. By the early 1970s, Williams had established himself as a composer for large-scale disaster films, with scores for The Towering Inferno, Earthquake and The Poseidon Adventure.
In 1974, Williams was approached by Steven Spielberg to write the music for his feature directoral debut, The Sugarland Express. The young director was impressed by Williams's score to the 1969 film The Reivers, and was convinced the composer could provide the sound he desired for his films. They re-teamed a year later for the director's second film, Jaws. Widely considered a classic suspense piece, the score's ominous two-note motif has become nearly synonymous with sharks and approaching danger. The score earned Williams a second Acadamy Award, his first for an original composition.
Almost immediately, Williams and Spielberg began preparing for their next feature film, Close Encounters of the Third Kind. They did not employ the standard Hollywood practice whereby the music is written after most the the filming is complete. Instead, Spielberg's script and Williams's musical concepts were developed at the same time and are closely linked. During the two-year creative collaboration, they settled on a distinctive five-note motif that functioned both as background music and the communication signal of the film's alien mothership. Close Encounters of the Third Kind was released in 1977.
John Williams and his Star Wars Episode IV: A New Hope Oscar in 1978.
John Williams and his Star Wars Episode IV: A New Hope Oscar in 1978.
In the same period, Spielberg recommended Williams to his friend and fellow director George Lucas, who needed a composer to score his ambitious space epic, Star Wars. Williams produced a grand symphonic score in the fashion of Richard Strauss and Golden Age Hollywood composers Erich Wolfgang Korngold and Max Steiner. Its main theme is among the most famous in motion picture history, and the Force Theme and Princess Leia's Theme are also well-known examples of leitmotif. The film and its soundtrack were both immensely successful, and Williams won another Academy Award for Best Original Score.
Williams then worked with director Richard Donner to score the 1978 film Superman. The score's heroic and romantic themes, particularly the memorable main march, the Superman fanfare and the love theme (also known as "Can You Read My Mind"), appeared in the four subsequent sequel films.
Over thirty years later, the Williams-Spielberg collaboration has proven to be one of Hollywood's most enduring and fruitful. To date, Williams has composed the music to all but two of Spielberg's movies (The Color Purple and Twilight Zone: The Movie, composed by Quincy Jones and Jerry Goldsmith, respectively [1]). In addition, Lucas and Richard Donner were highly vocal in describing how Williams' scores for the Star Wars series and Superman respectively exceeded their highest expectations.
He has been nominated for 45 Academy Awards, of which he has won five (for Jaws, Star Wars (now known as Star Wars Episode IV: A New Hope), E.T. the Extra-Terrestrial, Schindler's List, and for arrangements in Fiddler on the Roof). He currently holds the record for the most Oscar nominations for a living person and has the same number of Oscar nominations as Alfred Newman. He has jokingly stated that this means he also holds the record for the most Academy Award losses ever.[citation needed]
Williams has received two Emmy Awards, seven BAFTAs, eighteen Grammy Awards, and has been inducted into the American Classical Music Hall of Fame and the Hollywood Bowl Hall of Fame. In 2004 he received a Kennedy Center Honor. He also won a Classical Brit award in 2005 for his soundtrack work of the previous year. On January 16, 2006, Williams won a Golden Globe, his fourth, for his score in Memoirs of a Geisha.
Williams's richly thematic and highly popular 1977 score to the first Star Wars film was selected in 2005 by the American Film Institute as the greatest American movie score of all time. His scores for Jaws and E.T. also appeared on the list, at #6 and #14, respectively. So far, five of his film scores have won Oscars.
While skilled in a variety of twentieth-century compositional idioms, his most familiar style may be described as a form of neoromanticism,[1] inspired by the large-scale orchestral music of the late 19th century, especially Wagnerian music and leitmotif, and that of Williams's film-composing predecessors.[2]
Williams is also a member of Kappa Kappa Psi, the national honorary fraternity for college band members
From 1980 to 1993, Williams succeeded the legendary Arthur Fiedler as Principal Conductor of the Boston Pops Orchestra. His arrival as the new leader of the Pops in the spring of 1980 allowed him to devote part of the Pops' first PBS broadcast of the season to presenting his new compositions for The Empire Strikes Back, in addition to conducting many Fiedler audience favorites.
He is now the Laureate Conductor of the Pops, thus maintaining his affiliation with its parent, the Boston Symphony Orchestra (BSO), resident of Symphony Hall in the Massachusetts capital. Williams leads the Pops on several occasions each year, particularly during their Holiday Pops season and typically for a week of concerts in May. He also frequently enlists the Tanglewood Festival Chorus, official chorus of the BSO, to provide a choral accompaniment to films (such as Saving Private Ryan).
He is an accomplished pianist, as can be heard in various scores in which he provides solos, as well as a handful of European classical music recordings.
Williams has written many concert pieces, including a symphony, Concerto for Clarinet written for Michele Zukovsky (Principal Clarinetist of the Los Angeles Philharmonic) in 1991 [3], a sinfonietta for wind ensemble, a cello concerto premiered by Yo-Yo Ma and the Boston Symphony Orchestra at Tanglewood in 1994, concertos for the flute and violin recorded by the London Symphony Orchestra, tuba, and a trumpet concerto, which was premiered by the Cleveland Orchestra and their principal trumpet Michael Sachs in September 1996. His bassoon concerto, The Five Sacred Trees, which was premiered by the New York Philharmonic and principal bassoon player Judith LeClair in 1995, was recorded for Sony Classical by Williams with LeClair and the London Symphony Orchestra. In addition, Williams composed the well-known NBC News theme "The Mission" (which he has occasionally performed in concert for surprised audiences), "Liberty Fanfare" for the re-dedication of the Statue of Liberty, "We're Lookin' Good!," for the Special Olympics in celebration of the 1987 International Summer Games, and themes for the 1984, 1988, 1996, and 2002 Olympic games. His most recent concert work "Seven for Luck", for soprano and orchestra, is a seven-piece song cycle based on the texts of former U.S. Poet Laureate Rita Dove. "Seven for Luck" was given its world premiere by the Boston Symphony under Williams with soprano Cynthia Haymon.
Williams has composed music for four of the Olympic Games held in the last 26 years. They are:
* "Olympic Fanfare and Theme" - 1984 Summer Olympics, Los Angeles
o In a 1996 re-release, the opening trumpet fanfare was replaced with Bugler's Dream, a previous Olympic Theme written by Leo Arnaud. This recording has been used as theme for NBC's Olympic coverage ever since.
* "The Olympic Spirit" - 1988 Summer Olympics, Seoul
o The 1988 theme was commissioned by NBC Sports and was the theme for their television coverage of the 1988 Summer Games.
* "Summon the Heroes" - 1996 Summer Olympics, Atlanta
* "Call of the Champions" - 2002 Winter Olympics, Salt Lake City
Film scores
The following list consists of films for which John Williams wrote the score and/or songs. Those films for which his music won an Oscar are in bold-face.
Audio samples composed by John Williams:
* "Theme from Jaws" (1975) (file info) — play in browser (beta)
o Jaws
* "Main Title from Star Wars" (1977) (file info) — play in browser (beta)
o Star Wars Episode IV: A New Hope
* "Main Title from Superman" (1978) (file info) — play in browser (beta)
o Superman
* "The Imperial March" (1980) (file info) — play in browser (beta)
o Star Wars Episode V: The Empire Strikes Back
* "The Raiders' March" (1981) (file info) — play in browser (beta)
o Raiders of the Lost Ark
* "Flying Theme" (1982) (file info) — play in browser (beta)
o E.T. the Extra Terrestrial
* "Main Title from Home Alone (Somewhere in My Memory)" (1990) (file info) — play in browser (beta)
o Home Alone
* "Flight to Neverland" (1991) (file info) — play in browser (beta)
o Hook
* "Theme from Schindler's List" (1993) (file info) — play in browser (beta)
o Schindler's List
* "Look Down, Lord" (1997) (file info) — play in browser (beta)
o Rosewood
* "Duel of the Fates" (1999) (file info) — play in browser (beta)
o Star Wars Episode I: The Phantom Menace
* "Hedwig's Theme" (2001) (file info) — play in browser (beta)
o Harry Potter and the Sorcerer's Stone
* "Across the Stars" (2002) (file info) — play in browser (beta)
o Star Wars Episode II: Attack of the Clones
* Problems playing the files? See media help.
* Daddy-O (1958)
* John Goldfarb, Please Come Home! (1965)
* Valley of the Dolls (1967) Oscar nomination
* A Guide for the Married Man (1967)
* Fitzwilly (1967)
* The Reivers (1969) Oscar nomination
* Goodbye, Mr. Chips (1969) Oscar nomination
* Storia di una donna (1970) The only Williams' score written for an Italian movie
* Jane Eyre (1970)
* Fiddler on the Roof (1971) Oscar winner
* Images (1972) Oscar nomination
* The Poseidon Adventure (1972) Oscar nomination
* The Cowboys (1972)
* Cinderella Liberty (1973) Oscar nomination
* The Paper Chase (1973)
* Tom Sawyer (1973) Oscar nomination shared with Robert B. Sherman & Richard M. Sherman
* The Towering Inferno (1974) Oscar nomination
* Jaws (1975) Golden Globe, BAFTA & Oscar winner
* Family Plot (1976)
* The Missouri Breaks (1976)
* Star Wars Episode IV: A New Hope (1977) Oscar, Golden Globe & BAFTA winner
* Close Encounters of the Third Kind (1977) Oscar nomination
* The Fury (1978)
* Superman: The Movie (1978) double Grammy & Oscar nomination
* Dracula (1979)
* Star Wars Episode V: The Empire Strikes Back (1980) double Grammy & Oscar nomination, BAFTA winner
* Raiders of the Lost Ark (1981) double Grammy & Oscar nomination
* Monsignor (1982)
* Yes, Giorgio (1982) Oscar nomination
* E.T. the Extra-Terrestrial (1982) Golden Globe, Oscar & BAFTA winner
* Star Wars Episode VI: Return of the Jedi (1983) Oscar nomination
* Indiana Jones and the Temple of Doom (1984) Oscar nomination
* The River (1984) Oscar nomination
* SpaceCamp (1985)
* Empire of the Sun (1987) Oscar nomination, BAFTA winner
* The Witches of Eastwick (1987) Oscar nomination
* The Accidental Tourist (1988) Oscar nomination
* Born on the Fourth of July (1989) Oscar nomination
* Indiana Jones and the Last Crusade (1989) Oscar nomination
* Stanley & Iris (1990)
* Presumed Innocent (1990)
* Home Alone (1990) double Oscar nominations
* Hook (1991) Grammy & Oscar nominations
* JFK (1991) Oscar nomination
* Home Alone 2: Lost in New York (1992)
* Far and Away (1992)
* Jurassic Park (1993)
* Schindler's List (1993) Oscar, Grammy and BAFTA winner
* Nixon (1995) Oscar nomination
* Sabrina (1995) double Oscar nominations
* Sleepers (1996) Oscar nomination
* Seven Years in Tibet (1997)
* Amistad (1997) Grammy & Oscar nominations
* The Lost World: Jurassic Park (1997)
* Stepmom (1998)
* Saving Private Ryan (1998) Golden Globe, Grammy & Oscar nominations
* Star Wars Episode I: The Phantom Menace (1999) Grammy nomination
* Angela's Ashes (1999) Grammy & Oscar nomination
* The Patriot (2000) Oscar nomination
* A.I.: Artificial Intelligence (2001) Grammy & Oscar nominations
* Harry Potter and the Sorcerer's Stone (2001) double Grammy & Oscar nomination
* Catch Me If You Can (2002) Oscar nomination
* Star Wars Episode II: Attack of the Clones (2002)
* Minority Report (2002)
* Harry Potter and the Chamber of Secrets (2002) Grammy nomination
* Harry Potter and the Prisoner of Azkaban (2004) Grammy & Oscar nominations
* The Terminal (2004)
* Star Wars Episode III: Revenge of the Sith (2005) double Grammy nominations
* War of the Worlds (2005) Grammy nomination
* Memoirs of a Geisha (2005) Golden Globe and BAFTA winner, Oscar nomination
* Munich (2005) Oscar nomination
[edit] Television themes
* For NBC:
o NBC News - The Mission
+ NBC Nightly News
+ The Today Show
+ Meet The Press
o NBC Sunday Night Football [4]
* Amazing Stories
* Caravan of Courage: An Ewok Adventure (Wicket's theme reprised from Return of the Jedi)
* Land of the Giants
* Lost in Space
[edit] Concertos
* Concerto for Flute and Orchestra (1969), premiered only in 1981 by the Saint Louis Symphony Orchestra under Leonard Slatkin.
* Concerto for Violin and Orchestra (1976 rev. 1998), premiered in 1981 by the Saint Louis Symphony Orchestra under Slatkin.
* Concerto for Tuba and Orchestra (1985), premiered by the Boston Pops for their 100th anniversary.
* Concerto for Clarinet and Orchestra (1991).
* Concerto for Bassoon and Orchestra (The Five Sacred Trees) (1993).
* Concerto for Cello and Orchestra (1994).
* Concerto for Trumpet and Orchestra (1996).
* Elegy for Cello and Piano (1997), later arranged for Cello and Orchestra (2002). Based on a theme from Seven Years in Tibet.
* TreeSong, Concerto for Violin and Orchestra (2000).
* Heartwood: Lyric Sketches for Cello and Orchestra (2002).
* Concerto for Horn and Orchestra (2003).
[edit] Celebration pieces and other concert works
* Prelude and Fugue (1965), for orchestra. Available for download in MP3 at the United States Marine Band website.
* Symphony #1 (1966), premiered by Houston Symphony under André Previn in 1968. Williams reworked it in 1988 but the piece was never performed.
* Thomas and the King (musical, 1975), premiered in London. Recorded in 1981 by the Original Cast.
* Jubilee 350 Fanfare (1980), it was premiered by the Boston Pops conducted by Williams. Piece celebrating the 350th anniversary of the City of Boston.
* Liberty Fanfare (1986), premiered on July 4th 1986 by the Boston Pops Esplanade Orchestra. Piece composed for the Centennial of the Statue of Liberty.
* A Hymn to New England (1987).
* For New York (Variations on theme by Leonard Bernstein) (1988). Composed for Leonard Bernstein's 70th birthday celebrations.
* Celebrate Discovery (1990), composed for the 500th anniversary celebration of the arrival of Columbus to America.
* Sound the Bells! (1993).
* Song for World Peace (1994).
* Variations on Happy Birthday (1995).
* American Journey (1999). Portions premiered as accompaniment to a film by Steven Spielberg as part of the Millennium Celebration in Washington D.C. December 31, 1999.
* Three Pieces for solo Cello (2001).
* Soundings (2003), composed for the Walt Disney Concert Hall.
[edit] Awards
John Williams has won a total of five Academy Awards, eighteen Grammy awards, four Golden Globe Awards, and two Emmy Awards.
[edit] Academy Awards
* Fiddler on the Roof (1971) (Scoring: Adaptation and Original Song Score)
* Jaws (1975) (Original Score)
* Star Wars (1977) (Original Score)
* E.T. (1982) (Original Score)
* Schindler's List (1993) (Original Score)
[edit] Grammy awards
* Jaws (1975) (Best Album of Original Score Written for a Motion Picture)
* Star Wars (1977) (Best Pop Instrumental Performance)
* Main Title from Star Wars (1977) (Best Instrumental Composition)
* Star Wars (1977) (Best Album of Original Score Written for a Motion Picture)
* Theme from Close Encounters of the Third Kind (1978) (Best Instrumental Composition)
* Close Encounters of the Third Kind (1978) (Best Album of Original Score Written for a Motion Picture)
* Main Title Theme from Superman (1979) (Best Instrumental Composition)
* Superman (1979) (Best Album of Original Score Written for a Motion Picture)
* The Empire Strikes Back (1980) (Best Instrumental Composition)
* The Empire Strikes Back (1980) (Best Album of Original Score Written for a Motion Picture)
* Raiders of the Lost Ark (1981) (Best Album of Original Score Written for a Motion Picture)
* "Flying" (Theme from E.T.) (1982) (Best Instrumental Composition)
* E.T. (1982) (Best Album of Original Score Written for a Motion Picture)
* "Flying" (Theme from E.T.) (1982) (Best Arrangement on an Instrumental Recording)
* Olympic Fanfare and Theme (1984) (Best Instrumental Composition)
* Schindler's List (1994) (Instrumental Composition for a Motion Picture or Television)
* Saving Private Ryan (1998) (Best Instrumental Composition Written for a Motion Picture or for Television)
* Theme from Angela's Ashes (2000) (Best Instrumental Composition)
[edit] Golden Globe Awards
* Jaws (1975) (Best Original Score)
* Star Wars (1977) (Best Original Score)
* E.T. (1982) (Best Original Score)
* Memoirs of a Geisha (2005) (Best Original Score)
[edit] Emmy Awards
* Heidi (1968) (Outstanding Achievement in Musical Composition)
* Jane Eyre (1971) (Outstanding Achievement in Musical Composition)